An Immersive Art Experience March 2022, Clientele, Wheeling WV. Fact and fiction is very much a part of this work via conflicts about truth that arise in a photograph, the reflections you see in a mirror, or the way objects bounce and block light. Viewers were each given a flashlight or invited to explore the works with their cell phone lights.

https://vimeo.com/manage/videos/219752535 Two-way Protocols (2017) is an interactive installation comprised of two large suspended cubes constructed with two-way mirror. Bodies that enter the interior of the cubes encounter a repetitive, mirrored environment that is spacious, isolated, and ephemeral. In darkness, participants can view the illuminated individual in the adjacent cube, while the public can clearly observe the participants within. Two-way Protocols is created with both minimalist and “light and space” (or as the artist Dan Graham defines it, perceptual art) philosophies in mind, existing in the interstitial space between the two. Relating to the investigative veins of Bruce Nauman , Fred Sandback, and Dan Graham among others, Two-way Protocols aims to enforce the contrast between perceptual and physical experience of space, while allowing ourselves to become aware of our participation as subject and object. Two-way Protocols operates in the space between a presence and void, functioning at the intersection of the geometric object and experience. The self is multiplied and surveilled; unconscious and self-conscious; lost and found. It is acknowledged as present.

Medium: welded steel, spray paint Dimensions of individual object 4” x 6” x 4” Hundreds of identical objects have been created and arranged in order to blur the perceptual boundary between 2D and 3D space. Orientation of the objects also confuses our perception of the dimensional characteristics of what can be perceived as a rhombus or a cube.

https://vimeo.com/manage/videos/198634955 Medium - Primed Spandex over Steel Rod and Plywood, Neopixel LEDs, and Arduino Dimensions - 74” x 74” “Zed” is an interactive illuminated sculptural installation. The lighting in the room is controlled by viewers who will choose color swaths, insert them into a scanner, and direct the data received to the right or left side of the piece at the push of a button.